{"title":"All Vinyl","description":"\u003cp\u003eShop the complete vinyl record collection at The Selwyn Sound Co. Browse thousands of LPs spanning every genre — rock, jazz, hip-hop, soul, country, and more. Whether you're a seasoned collector or just starting your vinyl journey, you'll find something here.\u003c\/p\u003e","products":[{"product_id":"arctic-monkeys-humbug","title":"Arctic Monkeys- Humbug","description":"\u003cp\u003e\u003cspan\u003eFacing the third album blues, the Arctic Monkeys turned to Josh Homme, the Queens of the Stone Age mastermind renowned for his collaborations but heretofore untested as a producer. On first glance, it's a peculiar pair--the heirs of Paul Weller meet the heavy desert mystic--but this isn't a team of equals, it's a big brother helping his little siblings go wayward and get weird. Homme doesn't imprint his own views on the Monkeys but encourages them to follow their strange instincts. Wading into the murk of HUMBUG it becomes clear that the common ground between the Monkeys and Homme is the actual act of making music, the pleasure of not knowing what comes next when an entire band is drifting inside a zone. Since so much of HUMBUG is about its process, it's not always immediately accessible or pleasurable to an outside listener, nor is it quite the thickly colored freakout Homme's presence suggests. The Monkeys still favor angular riffs and clenched rhythms, constructing tightly framed vignettes not widescreen epics, but they're working with a darker palette and creating vaguely abstract compositions, sensibilities that extend to Alex Turner's words too, as he trades keen detail for vivid scrawled impressions. Every element of the album reflects a band testing its limits, seeing where they could go next.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":25658634993764,"sku":"801390023712","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP801390023712-0.jpg?v=1553133346"},{"product_id":"anderson-paak-ventura","title":"Anderson .Paak- Ventura","description":"\u003cp\u003eVentura is the fourth studio album by American singer Anderson Paak. It was released on April 12, 2019, by 12 Tone Music and Aftermath Entertainment. It features guest appearances from André 3000, Smokey Robinson, Lalah Hathaway, Jazmine Sullivan, Sonyae Elise, and Brandy, along with posthumous vocals from Nate Dogg. The album was released just six months after his last full-length, Oxnard, which Paak wrote and recorded at the same time.[3]\u003cbr\u003e\u003cbr\u003eVentura was supported by two singles: \"King James\" and \"Make It Better\". The album received widespread critical acclaim from critics and debuted at number four on the US Billboard 200. It is Paak's first US top 10 album\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":27147324555364,"sku":"190296901966","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/Paak.jpg?v=1557763838"},{"product_id":"bon-iver-i-i","title":"Bon Iver-  I,I","description":"\u003cp\u003e \u003cspan\u003eOn his fourth album, Justin Vernon reassembl\u003c\/span\u003e\u003cspan\u003ees the familiar Bon Iver elements like a cubist collage, with his voice fearlessly front and center. 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It includes five songs — covers of John Prine and “Cowboy” Jack Clement as well as two originals — and was recorded alongside a cast of local heavies like Bobby Wood, Dave Roe, Kenny Malone and Matt Sweeney (Chavez, Superwolf).  Most importantly, it features what KV has called “Probably the single most special musical moment in my life” – a duet with the late John Prine on the songwriter’s well-loved tune, “How Lucky.”\u003c\/div\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":33012530708541,"sku":"191401165112","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/51HjTexImML._SL1000.jpg?v=1610590316"},{"product_id":"vampire-weekend-modern-vampires-of-the-city","title":"Vampire Weekend- Modern Vampires of the City","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003eAt the time of its release, Modern Vampires of the City was touted as a \"deeper\" offering from Vampire Weekend. While that's true to an extent, it downplays the equally heartfelt and clever songs on their first two albums. What is undeniable is that Modern Vampires is a lot less obviously showy than the band's previous work. They trade in Contra's bright eclecticism for a less audacious production style and smaller instrumental palette: guitar, organ, harpsichord, and the occasional sample combine into a rarefied sound that suggests a more introspective version of their debut, and the band bookends the album with some of its most literal and insular chamber pop on \"Obvious Bicycle\" and \"Young Lion.\" Modern Vampires' quieter approach also showcases what might be most enduring about Vampire Weekend's music -- endearing melodies and carefully crafted lyrics. It also fits Ezra Koenig's preoccupations on this set of songs, chief among them the fact that we're all going to die. The band sums up all of this brilliantly on \"Step,\" where the music's hip-hop beats and harpsichords reflect the allusions to Souls of Mischief and growing pains in Koenig's lyrics. Elsewhere, Vampire Weekend tones down the quirks that may have polarized listeners before; songs like \"Everlasting Arms\" and \"Unbelievers\" walk the fine line between cheery and grating so well that they could win over those who previously found them too peppy and preppy. Similarly, Modern Vampires of the City's political allusions are also subtler than they were on Contra, where the band brandished them like college students all too willing to display their awareness of current events: Koenig sounds offhanded when he sings \"though we live on the US dollar\/We got our own sense of time\" on \"Hannah Hunt,\" and even the album's most overtly political song, the darkly verbose \"Hudson,\" adopts a more historical stance as it incorporates everything from 17th century explorers, pre-war apartments, and exclusive New York neighborhoods into its meditations on fate versus free will. Of course, Vampire Weekend can't completely stifle their exuberance, and the album's louder moments stand out even more vibrantly against the subdued ones. \"Diane Young\"'s brash, buzzy mix of doo wop, surf, and punk feels like a nod to Contra as well as Billy Joel's \"You May Be Right,\" and Koenig sings \"I don't wanna live like this, but I don't wanna die\" with so much joy on \"Finger Back\" that it celebrates life as much as it contemplates mortality. Ultimately, Modern Vampires of the City is more thoughtful than it is dark, balancing its more serious moments with a lighter touch and more confidence than they've shown before. Even if Koenig and company fear getting old, maturity suits them well. ~ Heather Phares\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":33012532019261,"sku":"634904055615","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP634904055615-0.jpg?v=1610590973"},{"product_id":"rhye-home","title":"RHYE - Home (Gatefold LP Jacket) (2 Lp's)","description":"\u003cp\u003e\u003cstrong\u003eFourth studio album from Rhye( Mike Milosh)\u003c\/strong\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":33017632915517,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/51kuLx4EgPL._SL1000_1.jpg?v=1611105059"},{"product_id":"interpol-our-love-to-admire","title":"Interpol-Our Love to Admire","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003eAlthough many fans have been waiting around for Interpol to replicate the magic of their 2002 debut TURN ON THE BRIGHT LIGHTS, the band deserves credit for not overtly aping the formula of that album. On 2007's OUR LOVE TO ADMIRE, as on the group's sophomore effort ANTICS, Interpol endeavor to stretch the fabric of their classic 1980s post-punk sound while leaning toward straightforward pop territory. They succeed, to a large degree, thanks to a major label budget (the band moved to Capitol for this release) and a strong batch of material. None of this is to say that Interpol aren't still rooted in the dark dramatics of Joy Division, the band's primary influence, as the gloomy, churning \"Pace is the Trick\" and \"Wrecking Ball\" prove. But the upbeat feel of \"The Heinrich Maneuver\" and the thumping groove and catchy hooks of \"No I in Threesome\" show a fresher-faced Interpol, as do the ambitious production flourishes of tunes like opener \"Pioneer to the Falls.\" The album's nicest surprise comes at the end: \"The Lighthouse\" is a spare, emotionally affecting song, lovely and haunting, illustrating--as the rest of the album does--the band's continued ability to captivate.\u003c\/div\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":33017638223933,"sku":"191401150415","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP602557596496-0.jpg?v=1611105776"},{"product_id":"coheed-and-cambria-good-apollo-im-burning-star-iv-vol-2-no-world-for-tomorrow-2lp","title":"Coheed and Cambria- Good Apollo I'm Burning Star IV Vol. 2: No World For Tomorrow 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cdiv class=\"aec-desc-review collapse\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003eDouble 180gm vinyl LP pressing with etched artwork on side D. Housed in gatefold jacket. Coheed and Cambria is an American progressive rock band formed in 1995. The group's music incorporates aspects of progressive rock, pop, heavy metal, and post-hardcore. Good Apollo, I'm Burning Star IV, Volume Two: No World for Tomorrow (often shortened to No World for Tomorrow), is their critically acclaimed fourth studio album, originally released in 2007. Includes printed inner sleeves with lyrics and artwork by Ken Kelly.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":33023926337597,"sku":"8719262016859","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/3893300-2655149.jpg?v=1611855557"},{"product_id":"black-pumas-capitol-cuts-live-from-studio-a-red-vinyl","title":"Black Pumas-Capitol Cuts Live from Studio A (Red Vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003eRecorded direct to acetate - all live, no overdubs - Capitol Cuts - Live from Studio A captures a powerful moment in time. After months of cancelled shows Black Pumas went to Los Angeles this past fall and laid down eight explosive tracks at the famed Capitol Studio A. The recording brims with pent up energy, nearly bursting through the grooves on the expansive and mind-blowing seven minute rendition of “Colors.” A few weeks later the song would receive a Grammy nomination for Record of the Year. Red LP.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e \u003c\/i\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003eTrack Listing:\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col start=\"1\"\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eI'm Ready\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eColors\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eOld Man\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eKnow You Better\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eFire\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eBlack Moon Rising\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eStay Gold\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"m_-2400647002208999613MsoListParagraph\"\u003eRed Rover\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39271714390077,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/black_pumas_red_final.jpg?v=1616609196"},{"product_id":"leon-bridges-gold-diggers-sound","title":"Leon Bridges- Gold-Diggers Sound","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003e\u003cspan\u003eGold-Diggers Sound\u003c\/span\u003e\u003c\/i\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the new album from Leon Bridges. This R\u0026amp;B collection is birthed from extended late nights at the Los Angeles, California studio of the same name. The album celebrates Leon's immersive experience of creating music in the same East Hollywood room where he lived, worked and drank over the course of two years. The soulful collaboration between Leon as an artist and the space itself was so encompassing that he chose to name the album after the studio complex.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracklist\u003c\/em\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eBorn Again (feat. 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Ink)\u003cbr\u003eBlue Mesas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eVINYL\u003c\/b\u003e: 1 standard weight \u003cstrong\u003eBLACK\u003c\/strong\u003e Vinyl LP, in mirror-board finish jacket, printed inner sleeve, and 20 page 12\"x12\" booklet.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39325652549693,"sku":"194398906713","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/Leon-Bridges-Gold-Diggers-Sound-Exclusive-Black-Vinyl_5000x_32961bae-d157-4060-bac2-8fd69c5ad0b0.jpg?v=1622245133"},{"product_id":"the-roots-how-i-got-over-exp","title":"The Roots- How I Got Over (EXP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe not-very-hip-hop Dirty Projectors, Monsters of Folk, Patty Crash, and Joanna Newsom contribute one way or another to How I Got Over. Rest assured, the ninth studio album from the Late Night with Jimmy Fallon house band is very much its own, and skeptics should be reminded that hip-hop history is filled with figures as unlikely as Billy Squier (who probably did not bump into Run-D.M.C. backstage at The Alan Thicke Show). Very much in line with recent albums like Game Theory and Rising Down, neither of which was tailored for a good time, How I Got Over is the most subdued of the three. The blood doesn't really get pumping until the fifth track. Up to that point, however, the band creates some of its most downcast and alluring material, covering solitude, self-destruction, and just about every planetary ill. It's all vividly conveyed through pensive arrangements, sobering rhymes, spooky choruses, and even spookier backing vocals. Truck North, P.O.R.N., Dice Raw, and Blu make gripping contributions, but no one cuts to the chase quite like Black Thought, who can condense modern reality into one deftly delivered and commanding line, like \"Got immunized for both flus, I'm still sick.\" From there, the spirit lifts a little, though the songs are still deeply planted in realism. The title track is modern soul-blues that cooks, assisted by some serious singing from Black Thought and an inspiring chorus from Dice Raw. On \"Now or Never,\" Phonte's dejection (\"My role was cast before I even auditioned for it\") is tempered with Dice Raw's glints of determination. For good measure, or perhaps for the sake of a little balance, the back half also features a hardcore boast session between Thought, Peedi Peedi, and Truck North that cannot be disregarded. This is yet another Roots album that lends itself to repeated, beginning-to-end listening. It is gracefully and cleverly sequenced, from the way the tracks melt into each other to the way \"Doin' It Again\" utilizes John Legend's anguished \"Again\" prior to transitioning into the subtly anthemic \"The Fire,\" which features a fresh collaboration with.John Legend. ~ Andy Kellman\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39325698883645,"sku":"602527094694","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP602527094694-0.jpg?v=1622246660"},{"product_id":"kaidi-tatham-an-insight-to-all-minds","title":"Kaidi Tatham- An Insight to All Minds","description":"\u003cp\u003eFirst Word Records are very proud to present a brand new album from Kaidi Tatham!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'An Insight To All Minds' is Kaidi's 3rd solo album under his own name, following several EPs and two albums for First Word; 2018's acclaimed 'It's A World Before You' and the re-press of his seminal 2008 sophomore album 'In Search Of Hope' last year.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor those that don't know, Kaidi Tatham is a legendary multi-instrumentalist. Once dubbed \"the UK's Herbie Hancock\" by Benji B, he's a virtuoso on the keys and a true innovator in sound production as one of the original creators of the Broken Beat sound. Over the years his musical prowess has blessed numerous projects, initially with the likes of Bugz In The Attic and The Herbaliser, and more recently with DJ Jazzy Jeff (through the PLAYlist projects), Andrew Ashong (on the acclaimed 'Sankofa Season' EP last year) and with longtime accomplice, Dego. This in addition to session work for artists such as Mulatu Astatke, Slum Village, Amy Winehouse, Soul II Soul and Leroy Burgess, along with First Word label mates such as Eric Lau, Children of Zeus and Darkhouse Family. Kaidi is also a revered DJ known for rocking parties globally, whilst his solo catalogue spans tons of EPs and releases for labels such as 2000 Black, Eglo and Theo Parrish's Sound Signature.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'An Insight To All Minds', Kaidi says it's \"not about a destination, but a process. It's about how you drive, not where you're going. Nothing in this world can torment you as much as your own thoughts… We are all going through it. We can all feel what the next person is feeling, believe it or not. It's learning how to tap into it\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is comprised of an assortment of Kaidi's unique flavours - uptempo jazz-funk bruk, laced with rhodes, flutes, live bass and delicious percussion. Using that blueprint he moves effortlessly through latin and samba, half-step, deep afro house and a sprinkle of curveballs, all presented in Kaidi's inimitable way.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Intergalactic Relations' brings with it some 110bpm synthed-out spacey electro-breaks, 'Could It Be' sets off sounding like a Morricone film score, whilst 'Rodney' is some serious heads-down business; stark and punchy off-kilter broken beat and vocal stabs. There are a few guests too - 'Chungo' sees the return of Uhmeer (who previously appeared on 'Cupid' on the album 'It's A World Before You'); here the young Philly MC deftly rides a 9\/4 time signature beat. Meanwhile 'Stro Kyat' invites in another supreme talent, Stro Elliot (The Roots), who provides a suitably crisp \u0026amp; crunchy riddim to accompany Kaidi's key play over a mind-bending 5\/4 time signature.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith this new album, Kaidi Tatham adds further to his already impressive catalogue, a body of work that falls within the cracks of jazz and dance music, exemplifying modern British black brilliance once again; uncompromising, innovative, groundbreaking, intricately sophisticated and deeply funky. His fanbase expands on every release and it's no surprise that that fanbase includes peers such as Madlib (\"ahead of his time\"), Gilles Peterson (\"a key part of an entire movement\"), K15 (\"a limitless source of inspiration\"), Alexander Nut (\"a true virtuoso\") and Kyle Hall.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'An Insight To All Minds' is released on double vinyl \u0026amp; digital via First Word Records, April 2nd 2021.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331858481213,"sku":"5050580753457","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/cover.ki.jpg?v=1622771831"},{"product_id":"kaidi-tatham-in-search-of-hope","title":"Kaidi Tatham- In Search of Hope","description":"\u003cp\u003e\u003c\/p\u003e\u003cp data-mce-fragment=\"1\"\u003eFrom his earlier work with pioneering London production outfits like Bugz In The Attic, DKD, Silhouette Brown, Blakai, Likwid Biskit, Neon Phusion and Agent K, to his recent releases and collaborations with Dego and the extended 2000black family, Kaidi Tatham is one of the most quietly influential British artists of his time.\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e2008's 'In Search of Hope' is the second solo album from Tatham and the first under his own name. It pushes the musical boundaries of electronic and dance music in a way that is still rarely heard today. While the album retains its contemporary London influences, it allowed Tatham to stretch out musically in a way he hadn't done on record before. The majority of the album's tracks aren't in the standard 4\/4 time signature that most contemporary dance music follows, and some switch between a handful of different time signatures over the course of a few minutes. In a way, the album could be viewed as Tatham's mission statement and a sign of what was to come from him as an artist: uncompromisingly and unapologetically sophisticated modern black music. His face melting virtuosity never gets in the way of coherent groove, melody, harmony and arrangement. Originally released on Tokyo based label Freedom School and recorded on a modest set up at his flat in south London, 'In Search of Hope' has become a holy grail record for dance music fans and jazz heads alike. Its mythical status is spurred on by the fact that it was unavailable digitally, until now, with physical copies fetching astronomical prices online, especially considering how recently it was released compared to other records that reach similar prices.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331860906045,"sku":"5050580736061","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/insearch.jpg?v=1622772446"},{"product_id":"kaidi-tatham-its-a-world-before-you","title":"Kaidi Tatham- It's a World Before You","description":"\u003cp\u003eFollowing on from two EPs released on First Word last year ('Changing Times' and 'Hard Times'), Kaidi has delivered us thirteen tracks that deftly illustrate his various talents as a multi-instrumentalist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKaidi is probably best known for his work with Bugz In The Attic, though his musical contributions over the years have also included Amy Winehouse, Slum Village, Mulatu Astatke, Soul II Soul, Moonchild, Leroy Burgess, Amp Fiddler, Chris Dave, Macy Gray, King Britt, DJ Spinna, Mr Scruff and IG Culture to name but a few! In recent times, he's worked with DJ Jazzy Jeff on a variety of projects, including his most recent album 'M3', touring Europe for Jeff and Will Smith's reunion shows, and on the PLAYlist album 'Chasing Goosebumps', with Glenn Lewis, Stro Elliot (The Roots), Masego, Maimouna Youssef, Rich Medina, Daniel Crawford and more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll this in addition to heating up dances around Europe with his inimitable DJ sets, and working heavily with First Word label-mate, Eric Lau (who also mixed this album) on a variety of projects, and adding releases to his already impressive catalogue on 2000 Black, Eglo and Theo Parrish's Sound Signature, with regular compadre, Dego (who features on the album's title track).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album personifies Kaidi's diverse palette of sounds – bar Eric \u0026amp; Dego's features, every piece of music is played by himself. Largely flowing on a broken beat rhythm section, Kaidi effortlessly incorporates washes of afro, latin and funk throughout. From the harmonics of 'Your Dream Don't Mean A Thing', to the breakneck funk of 'Outta Audah', each and every riddim exudes energy. But this isn't simply a bruk record. The album is laced together with downtempo beats and future jazz interludes throughout, and some sweet synth boogie is never very far away, especially on the weighty vibes of 'It's About Who You Know'. To top it all off, there's two delightful nuggets of hip hop soul - Mancunian label-mates, Children of Zeus, feature on the neo-soul vibes of 'Out Here On My Own', and there's a feature from Amir Townes, better known as Uhmeer - an upcoming MC from Philadelphia, and son of one Jazzy Jeff Townes - who rides a sub-heavy, piano-led slice of boom bap, voicing an assortment of characters to tell the tale of 'Cupid'.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331862151229,"sku":"5050580693449","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/itsa.jpg?v=1622772827"},{"product_id":"charles-webster-decision-time","title":"Charles Webster- Decision Time","description":"\u003cp\u003eOperating in house music since the mid '80s, Charles Webster is revered as something like the producer's producer, spoken about in the same breath as Larry Heard or Ron Trent amongst the DJ cognoscenti.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGrowing up in the Peak District and falling in love with electronic music through a parent's Kraftwerk record, Charles' apprenticeship was with Juan Atkins and Kevin Saunderson, back when they'd record at Square Dance studio in Nottingham, where Charles worked as a recording engineer. His production work started right at the roots of electronic music in the British Isles, writing tracks for electro\/breakdance outfit The Rock City Crew and 1987 UK house cut T-CUT-F. Since then he's released music under 30 different pseudonyms with over 500 remixes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Decision Time' is Charles' first major solo record since 2001's 'Born On The 24th July', and features an array of artists from a number of different eras, guises and genres Charles has been involved with over his prolific career.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter moving to San Francisco in the late nineties, he created an album under the alias Presence entitled 'All Systems Gone'. The \"pillowy\" sound design of this classic is cited as a key influence on the music of Burial. For 'Decision Time', Burial has paid a further tribute here, contributing a rare co-production, 'The Second Spell'. This track featuring the words of Prince muse Ingrid Chavez. who also wrote the spoken word poetry in Madonna's 'Justify My Love'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCharles was at the forefront of the halcyon years of deep house, working with vocal talents like Robert Owens, Tracey Thorn, Terra Deva (aka Furry Freaks), who features here on 'Wait And See', and Shara Nelson, perhaps best known for her vocals on Massive Attack's 'Blue Lines' album, featuring here on 'This Is Real'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCharles' influence also spreads to the South African house scene with his Presence single 'Better Day' becoming a huge radio hit there in 1997. Charles later moved to South Africa and immersed himself in the local scene, collaborating with some of the country's most exciting talent, including Sio, Thandi Draai and Sipho – all of whom appear on this project.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith an album of this quality and the 20-year cycles of electronic culture, it feels like this is the perfect moment to celebrate the brilliance of Charles Webster's legacy. From the downtempo soul of 'This Is Real', to the impressionistic words and ethereal two-step on 'The Spell', a new generation of ears are about to discover the influential underground sound of Charles Webster.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331867951165,"sku":"5050580746190","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/decision.jpg?v=1622773597"},{"product_id":"lorenzo-morresi-objet-melodie","title":"Lorenzo Morresi- Objet Melodie","description":"\u003cp\u003e'Objet Melodie' is a combination of real instruments, synthesizers, drum machines and samples, involving genres from different countries of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's like being on a surreal oasis, where music is eclectic but also meditative or just for a dance. Interconnecting with the whole planet, imagining or living in different countries and trying to relate with diverse cultures and experimentation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLorenzo-Giulio Morresi, 'Objet melodie' producer, combined real instruments like Roland TR-707, Roland JUNO-60, a Gibson Memphis guitar, marimbas and steel drums with percussions samples taken from his personal record collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe other musicians involved are Stefano Ubaldini who plays the intro in 'Rituel' with an amazing hand-made guitar called 'Slitar', inspired from an Indian Sitar made with a broken metal window he picked up in a London backyard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFabio Mina is playing flutes on several tracks, like the Hulusi from China and the Nose Flute from Hawaiian islands. Giuseppe Diamanti plays tenor sax outros.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331880861757,"sku":"5050580733879","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/objet.jpg?v=1622773915"},{"product_id":"takuya-kuroda-fly-moon-die-soon","title":"Takuya Kuroda- Fly Moon Die Soon","description":"\u003cp\u003eA highly-respected trumpeter born in Kobe, Japan, Takuya is a forward-thinking musician that has developed a unique hybrid sound, blending soulful jazz, funk, post-bop, fusion and hip hop music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter following the footsteps of his trombonist brother playing in big bands, he relocated to New York to study jazz \u0026amp; contemporary music at The New School in Union Square; a course he graduated from in the mid-noughties. It was here that Takuya met vocalist José James, with whom he worked on the 'Blackmagic' and 'No Beginning No End' projects.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing graduation, Takuya established himself further in the NYC jazz scene, performing with the likes of Akoya Afrobeat and in recent years with DJ Premier's BADDER band (also including acclaimed bass player, Brady Watt). Premier said \"The BADDER Band project was put together by my manager, and an agent I've known since the beginning of my Gang Starr career. He said, 'What if you put a band together that revolved around a trumpet player from Japan named Takuya Kuroda? He's got a hip-hop perspective and respect in the jazz field…\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTakuya Kuroda is already incredibly prolific, releasing five albums in the past decade and fortifying a solid reputation in the global jazz scene. 2011 saw the release of Takuya's independently-produced debut album, 'Edge', followed by 'Bitter and High' the following year and 'Six Aces' on P-Vine in 2013. Takuya was signed to the legendary Blue Note Records in 2014 for his album 'Rising Son', as well as appearing on their 2019 cover versions project, 'Blue Note Voyage'. He released his 5th album 'Zigzagger' on Concord in 2016, which also featured Antibalas on a reimagining of the Donald Byrd classic 'Think Twice'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLate Summer 2020, Takuya Kuroda returns with his sixth album 'Fly Moon Die Soon'.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn his words, \"this album is about the irony between the greatness of nature and the beautiful obsceneness of humanity. Melodies and grooves fly back and forth from being spiritual to being vulgar.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt took two years to make this album. In 2018, I decided I just couldn't make albums the same way I had been in the past anymore. As a birthday treat to myself, I booked a studio in Brooklyn for two days, with only myself and an engineer, Todd Carder. I brought along some tracks I'd been building at home to see if we could complete them within that time. We began replacing sounds and adding texture, sampling noises from all over the studio; me sipping coffee, hitting a 26\" kick drum, speeding up snares. At the end of the two days we were like \"wow, I didn't know we could make tracks this good in this way\". This is how the process of the full album started. Everything was based on my beats I made at home, inviting musicians in one by one, adding or replacing parts. I was very careful when developing these tracks; just note by note, part by part. I wanted to make the music effectively from a blend of two different recording methods; one very slickly produced part and one very organic part played by live musicians. I remember mixtapes from when I was kid, and wanted to make an album that wasn't just a bunch of flashy singles, trying to catch people's attention in the first 30 seconds, or full of guest features. Instead, I'm essentially just trying to let the grooves breath.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album consists of nine tracks of excellence. The uptempo jazz-funk of 'ABC' and 'Moody' sit alongside soulful jazz cuts like 'Fade' and 'CHANGE', also featuring Corey King on vocals. The title track is a downtempo groove lead by a heavy Moog bassline, whilst 'Do No Why' contains an infectious piano riff throughout. Aside from Takuya's original compositions, he revisits two classics from Ohio Players ('Sweet Sticky Thing' featuring Alina Engibaryan on vocals) and Herbie Hancock ('Tell Me A Bedtime Story') whilst the album closes with the epic 'TKBK'\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331894198333,"sku":"5050580735095","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/taruk.jpg?v=1622774345"},{"product_id":"poirier-marshall-partners-atleier-ferme","title":"Poirier Marshall Partners- Atleier\/Ferme","description":"\u003cp\u003eHere's a long overdue vinyl press of the sold out cassette collaboration between Brussels producers Roméo Poirier and Object Agency. \"ATELIER \/ FERME\" sees the pair combine trumpet, guitar, saxophone and an array of analogue synths on a series of sleek, heady instrumentals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in Strasbourg, the A-side sees pin-sharp found sounds woven amongst cavernous clicks, pops and weirdly synthesised voices to form an addictive, technodelic bricolage. Think Domenique Dumont floating in a sensory deprivation tank, or Joe Hisaishi enjoying a fine wine tasting holiday in Alsace.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn the flip side we find rippling, live techno edits, all brooding orchestral stabs shot through folds of analogue organ, conjured from a snow-covered cabin. Recommended for fans of To Rococo Rot, YMO and Huerco S\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331916611645,"sku":"5050580756755","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/ferme.jpg?v=1622775050"},{"product_id":"federsen-rose-bay","title":"Federsen- Rose Bay","description":"\u003cp\u003eSan Fransisco meets NYC for the third release on Fifth Interval.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRose Bay from Federsen sets the tone for the record: drenched in tape hiss, the warm pads and delays create a richly textured environment for deeper club sets or for 2am sessions on headphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDub Techno luminary Brendon Moller offers up two versions of the title track to complete the EP - one in his own name and the second under his Ecologist guise. Fans of the label will no doubt be well aware of Moller's formidable discography, which includes 10 albums under a variety of aliases, exploring the outer reaches of dub music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCoaxing two captivating versions from his studio in upstate New York, Moller focusses on the chord stabs from the original for the Echologist Dub, pushing the stabs and percussion through the desk, twisting the tails through tape delay and creating new vistas through crafty use of panning and bona fide dub production techniques.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eClosing with the outstanding Tidal Dub, Moller dons his Beat Pharmacy cap and pushes the mammoth bassline to near speaker-crushing levels to create a deeply hypnotic groove that is accentuated by waves of ferric pads and fractured percussion.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331935748157,"sku":"5050580641402","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/rose.jpg?v=1622775442"},{"product_id":"federsen-dewpoint","title":"Federsen- Dewpoint","description":"\u003cp\u003eFedersen returns to Fifth Interval for another sublime instalment of dance floor friendly dub-techno. Dewpoint is an altogether tighter affair when compared to the label's first release, Point Reyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. A highly polished metallic production style that can be compared to some of Andy Stott's early and classic works.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTomas Rubek remixes Dewpoint for the B-side, remaining faithful to the original track's structure but viewing it through a tinted lens. Dewpoint's chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of Rod Modell and Fluxion.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e12\" 180g vinyl with printed sleeve.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered by Lewis at Stardelta.\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331949379645,"sku":"5050580623187","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/gfgf.jpg?v=1622775707"},{"product_id":"c-m-von-hausswolff-still-life-requiem","title":"C M von Hausswolff- Still Life ,Requiem","description":"\u003cp\u003eConceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Still Life - Requiem' consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it's contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called 'emission spectroscopy' whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings - it's a piece dedicated to promote and insert tranquility and transcendence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis requiem also provides the listener with a certain feeling of connection - perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago ('Squared' [CD - Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer ('1' [LP - Monotype 2016]) and Hans-Joachim Roedelius ('Nordlicht' [LP - Curious Music, 2017]).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has also instigated and curated the collective sound-installation 'freq_out' during 2003 - 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39331988701245,"sku":"5050580680814","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/h.jpg?v=1622776900"},{"product_id":"elodie-vieux-silence","title":"Elodie- Vieux Silence","description":"\u003cp\u003eHaving been entranced by both Andrew Chalk's work with MIRROR (and back to his solo works as FERIAL CONFINE, plus multiple collaborations with David Jackman, The New Blockaders, Daisuke Suzuki, etc ) and Timo van Luijk (as Af Ursin, In Camera, La Poupée Vivante, and collaborations with Kris Vanderstraeten and others) for many years, I was naturally intrigued to hear about and hear their duo project ELODIE. The project formed in 2010, and has spanned eleven beautiful albums already, to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vieux Silence\" for Ideologic Organ is their first release presented outside of their own record publishing nook, Faraway Press \u0026amp; La Scie Dorée. However this is not the first encounter between Ideologic Organ \u0026amp; ELODIE, they performed at a night in London I curated in February 2012, alongside Jessika Kenney \u0026amp; Eyvind Kang. Elodie's performance was among the most delicately engaging and savant I have witnessed… so very quiet, with snow falling in London outside Cafe Oto's windows, the audience palpably entered a high intensity listening focus. The impression of this vivid memory is striking, considering how spare each of the individual elements present that night were.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vieux Silence\", and ELODIE in general provoke a visual imagination in an instant, perhaps filtered through aged watercolour, tape grain, antique lenses, forgotten levels of listening and observational patience. On this gorgeous album Chalk \u0026amp; van Luijk also collaborate with piano, pedal steel and clarinet (played by ; Tom James Scott, Daniel Morris and Jean-Noel Rebilly, respectively).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach detail carefully considered and colouring step by step, like an impressionist watercolour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e– Stephen O'Malley, Les Lilas 2017\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Kudos","offers":[{"title":"Default Title","offer_id":39332006789181,"sku":"5050580676107","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/fafafafa.jpg?v=1622777458"},{"product_id":"inventing-masks-2nd","title":"Inventing Masks- 2nd","description":"\u003cp\u003e2nd is the second album of Italian electronic music composer Giuseppe Ielasi under the Inventing Masks moniker. 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Their music, drawn from subconscious associations while recording, is frequently aquatic or oceanic in overall mood and texture. Knight has spent most of his life living on the banks of the Thames while Thrower resides on the East Sussex coast, and their musical flights of imagination tend toward rolling river dynamics and the open seas of synthesised sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor UnicaZürn, tidal imagery, oceanic forms and the slow rhythms of coastal water are a recurring structural presence, with strong associations of rootlessness, of being far away from home, a stranger in a strange land. The inability of human lungs to breathe water endows rivers and seas with a special poetics: a boundary between two different but inter-related states. On the one hand, solidity, clarity, definition; on the other, fluidity, uncertainty, dissolution. The sense of a threshold between opposites gives rise to an elusive otherness, suggesting a portal through which the everyday world can be escaped. Death under the water, the survivors of a lost kingdom clinging to the rocks of an unfamiliar island, a coastal boat ride into deepest abstraction, a deserted beach expressing a world outside reality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA sexual frisson too: a hovering at the brink, poised at the turbulent edge of pleasure, swept away into oblivion. Do we head toward the sea when we want to escape? And at the coastline, do we walk to the edge because we want to jump, or be swept away by an unexpected wave? There's a darkness in the sea, even if illuminated by the most dazzling sunshine. Open horizons shows the clutter of our lives to be transient, and as we look to the sea we feel a dizzying sense of the eternal. Aquatic sensibility, oceanic timescales: the action of the salt sea beating on the shore. Each grain of sand a rock smashed to dust. Beaches are cosmic, elemental. They are images of time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnicaZürn's core instrumentation blends analogue synthesiser, mellotron and electric piano with electric guitar and clarinet. Both Thrower and Knight draw upon their love and wide experience of of electronic music, from the outer shores of Stockhausen to the outer spaceways of Tangerine Dream. In addition, Knight is reknowned for his pioneering multi-textured fretwork with Danielle Dax and his ambient guitar settings for Lydia Lunch, while Thrower's reed playing provided a distinctive melancholy in Coil and emerged as electro-acoustic texture in Cyclobe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe title \"Pale Salt Seam\" is drawn from the poem \"Night-Song of the Andalusian Sailors\" by Federico García Lorca. 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A graduate of Red Bull Music Academy in New York, he has opened acts from Masters at Work to Roy Ayers, worked with the likes of Soul Clap and Thundercat, and has already been featured in the likes of Pitchfork, Mixmag and Okayplayer with his dream-like brand of cosmic disco and house.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJolly Mare's debut album \"Mechanics\" was conceived as a conceptual journey through the mechanics of groove and the dynamics of love. Featuring dew-eyed disco jams, Jolly Mare takes you on aural journey through a blackhole of futuristic funk and fresh, twinkling midnight beats -complete with crunchy, choppy bass riffs and plenty of outerspace synth action. 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He has continued to develop his sample- \u0026amp; analogue synthesizer-based music further, keeping things raw and warm at the same time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe EP starts off with the title track \"Free Two Grow\", an MPC live jam built around a hypnotic loop slowly developing into a heavy synth-driven Deep House tune. The B-side cut \"Ions\" builds on warm jazzy chords backed by tight rolling drums, creating a melancholic as well as a deep percussive vibe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRepresenting his versatile musical background and his roots in Hip Hop culture, \"Einerfuerheiner\" combines heavy-hitting MPC-drums, raw sampling, dubby synth textures and a weighty bass foundation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSam Irl is a producer from Vienna worth keeping an eye on. He has released on Gilles Peterson's Brownswood Recordings (\"Kutmah presents Worldwide Family Vol. 2\" with Ritornell), Pomelo Records (as \"Pulsinger \u0026amp; Irl\" together with Patrick Pulsinger), Frank Music, Bonzzaj Recordings (\"Untitled One\" with Dorian Concept) in Switzerland and others. Besides releasing his own music he has done remixes for Aloa Input (Morr Music), Inverse Cinematics (aka Motor City Drum Ensemble), JSBL (Affine Records), Swede:art, Trishes (FM4), G.rizo and Munich's dialect-Hip Hop-group Doppel D.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally hailing from a small village in rural Lower Bavaria, Sam Irl has been living and working as a producer and recording engineer in Vienna for quite some time now. 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Zauner's first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother's death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world. Jubilee finds Michelle Zauner embracing ambition and, with it, her boldest ideas and songs yet. Inspired by records like Bjork's Homogenic, Zauner delivers bigness throughout - big ideas, big textures, colors, sounds and feelings. At a time when virtually everything feels extreme, Jubilee sets it's sights on maximal joy, imagination, and exhilaration. It is, in Michelle Zauner's words, \"a record about fighting to feel. I wanted to re-experience the pure, unadulterated joy of creation... The songs are about recalling the optimism of youth and applying it to adulthood. They're about making difficult choices, fighting ignominious impulses and honoring commitments, confronting the constant struggle we have with ourselves to be better people.\" Throughout Jubilee, Zauner pours her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolution-these things take real time, and real effort. And Japanese Breakfast is here for it.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440957079613,"sku":"656605152516","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/3945756-2699245_-_monostereo_wholesale.jpg?v=1634951349"},{"product_id":"bon-iver-bon-iver","title":"Bon Iver- Bon Iver","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter making his debut with a collection of hushed, intimate folk songs recorded in a cabin, Bon Iver stretched his artistic legs by collaborating with Kanye West and experimenting with Auto-Tune on a 2009 EP. Released two years later, this sophomore album continues those changes by turning its back on the hushed sound of For Emma, Forever Ago. In its place are dense arrangements and orchestral instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440972382269,"sku":"656605213514","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP656605213514-0.jpg?v=1634955441"},{"product_id":"lake-street-dive-obviously","title":"Lake Street Dive- Obviously","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe album is the third release by the band for Nonesuch Records and follows up their break out release, Free Yourself Up, which debuted top 10 on the Billboard Album charts (a career peak for the band) and garnered them their first charting radio single, \"Good Kisser.\"Obviouslywas produced byGrammy Award-winningproducer, songwriter,and multi-instrumentalist Mike Elizondo\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440973004861,"sku":"075597919592","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/lakestreetdive-1350192.jpg?v=1634955598"},{"product_id":"interpol-antics","title":"Interpol- Antics","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003eThe title of Interpol's second album, ANTICS, may conjure up images of carefree adventure, but anyone familiar with the New York City band's brooding post-punk sound knows that there's nothing lighthearted about their music. Although it's not a radical departure, ANTICS does reveal a broadening of the group's sonic palette. The opening track, \"Next Exit,\" is a slowly building, piano-laden anthem, marked by singer Paul Banks's remarkably widened vocal range and strangely hopeful lyrics. Clearly the group is eager to move beyond the endless Joy Division comparisons they previously garnered, and this bid works to wonderful effect. Of course, many of the elements that made their debut, TURN ON THE BRIGHT LIGHTS, so entrancing--soaring guitar riffs, tight bass lines, frenetic drumming--are still present, particularly on \"Narc\" and \"Slow Hands,\" but even these tracks aren't merely content to repeat past glories. A solid album that improves upon its predecessor, ANTICS sees Interpol shaking off the mixed blessing of being the Next Big Thing, and hitting a new creative stride.\u003c\/div\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440975331389,"sku":"744861061601","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP744861061601-0.jpg?v=1634955918"},{"product_id":"st-vincent-marry-me","title":"St.Vincent- Marry Me","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith the likes of Cat Power, Feist, and Joan as Policewoman on the rise, the mid-to-late 2000s proved something of a renaissance for indie-minded female singer-songwriters. Annie Clark, who performs under the name St. Vincent, is another formidable force among the ranks. Clark's resume includes stints with Sufjan Stevens and the Polyphonic Spree, and while her 2007 debut MARRY ME is influenced by the orchestral majesty of those performers, it is sparer and maintains its own utterly unique flavor. Clark is a powerful writer: her songs are honest and confessional, yet smart and reflexive enough to avoid the pitfalls of cliche and sentimentality. There is an artful polish to the arrangements and instrumentation throughout, but there is also a pulsing edge to the album that grows organically from its rawer emotions. Moving, surprising, and beautifully composed, MARRY ME is a sparkling indie pop debut.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440976740413,"sku":"607618025410","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP607618025410-0.jpg?v=1634956356"},{"product_id":"adele-30","title":"Adele- 30","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e2LP 180 Gram, printed inner sleeves\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e30 is the first new music from Adele since the release of her third studio album 25 in November 2015.  The album is produced with former collaborators Greg Kurstin, Max Martin and Shellback and Tobias Jesso Jr., as well as new collaborators Inflo and Ludwig Goransson.\u003cbr\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39440989913149,"sku":"194399379714","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/21266478_2007-mlib_1500x1500_300dpi_rgb_100q.jpg?v=1634957133"},{"product_id":"olivia-rodrigo-sour","title":"Olivia Rodrigo - Sour","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl LP \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSour is the debut studio album by American singer-songwriter Olivia Rodrigo. It was released on May 21, 2021, via Geffen Records. The album was written by Rodrigo and her producer Dan Nigro, recorded in isolation during the COVID-19 lockdown.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39647603163197,"sku":"602438106417","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/41KYLILs2ZS._SL1000.jpg?v=1642646744"},{"product_id":"bon-iver-for-emma-forever-ago","title":"Bon Iver - For Emma, Forever Ago","description":"\u003cp\u003e\"The biographical details behind the creation of an album shouldn't matter when it comes to a listener's enjoyment, but\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFor Emma, Forever Ago\u003c\/em\u003e, Justin Vernon's debut as Bon Iver, exudes such a strong sense of loneliness and remoteness that you might infer some tragedy behind it. So, to skirt the rumor mill, here are the particulars, as much or as little as they might apply: In 2005, Vernon's former band DeYarmond Edison moved from Eau Claire, Wisconsin, to North Carolina. As the band developed and matured in its new home, the members' artistic interests diverged and eventually the group disbanded. While his bandmates formed Megafaun, Vernon-- who had worked with the Rosebuds and Ticonderoga-- returned to Wisconsin, where he sequestered himself in a remote cabin for four snowy months. During that time, he wrote and recorded most of the songs that would eventually become\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFor Emma, Forever Ago\u003c\/em\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"GridWrapper-vNBSO dUTyLv grid grid-margins grid-items-2 grid-layout--adrail narrow\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"GridItem-buSdEM PibmB grid--item grid-layout__content\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-testid=\"BodyWrapper\" class=\"BodyWrapper-ctnerm ldYAyc body body__container article__body\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"body__inner-container\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-include-experiments=\"true\" data-event-click='{\"pattern\":\"CNEInterludeEmbed\"}' data-event-boundary=\"click\" class=\"Container-imGeBO ftlPuP\"\u003eAs the second half of its title implies, the album is a ruminative collection of songs full of natural imagery and acoustic strums-- the sound of a man left alone with his memories and a guitar. Bon Iver will likely bear comparisons to Iron \u0026amp; Wine for its quiet folk and hushed intimacy, but in fact, Vernon, adopting a falsetto that is worlds away from his work with DeYarmond Edison, sounds more like TV on the Radio's Tunde Adebimpe, not just in his vocal timbre, but in the way his voice grows grainier as it gets louder.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVernon gives a soulful performance full of intuitive swells and fades, his phrasing and pronunciation making his voice as much a purely sonic instrument as his guitar. In the discursive coda of \"Creature Fear\" he whittles the song down to a single repeated syllable-- \"fa.\" Rarely does folk-- indie or otherwise-- give so much over to ambience: Quivering guitar strings, mic'ed closely, lend opener \"Flume\" its eerily interiorized sound, which matches his unsettling similes. \"Lump Sum\" begins with a choir of Vernons echoing cavernously, which, along with that rhythmically rushing guitar, initiates the listener into the song's strange space.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFor Emma\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eisn't a wholly ascetic project, though. A few songs benefit from additional recording and input after Vernon's initial sessions: Christy Smith of Raleigh's Nola adds flute and drums to \"Flume\", and Boston-based musicians John DeHaven and Randy Pingrey add horns to \"For Emma\"; surprisingly, their company doesn't break the album's spell of isolation, but rather strengthens it, as if they're only his imaginary friends. Vernon turns the cabin's limitations into assets on \"The Wolves\", layering his falsetto, tweaking his vocal tones to simple yet devastating effect, and piling on clattering percussion to create a calamitous finale.\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThat passage contrasts nicely with the simple intro to the next track, \"Blindsided\", which builds from a single repeating note into a halting chorus melody that sells his skewed Walden imagery: \"I crouch like a crow\/ Contrasting the snow\/ For the agony, I'd rather know.\" Vernon's lyrics are puzzle pieces that combine uneasily; his nouns tend to be concrete, yet the meanings slippery. On \"Flume\", the lines \"I am my mother's only one\/ It's enough\" form a strong opener, but the song grows less and less lucid: \"Only love is all maroon\/ Lapping lakes like leery loons\/ Leaving rope burns-- reddish ruse.\" It's as if he's trying to inhabit the in-between spaces separating musical expression and private rumination, exposing his regrets without relinquishing them. His emotional exorcism proves even more intense for being so tentative.\"  -Stephen M. Deusner -Pitchfork\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"GridWrapper-vNBSO dUTyLv grid grid-margins grid-items-2 grid-layout--adrail narrow\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"GridItem-buSdEM PibmB grid--item grid-layout__content\"\u003e\n\u003cdiv data-mce-fragment=\"1\" data-testid=\"BodyWrapper\" class=\"BodyWrapper-ctnerm ldYAyc body body__container article__body\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"body__inner-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":39895718789181,"sku":"656605211510","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/3f142536.webp?v=1650324156"},{"product_id":"mgmt-congratulations-180-gram-2lp","title":"MGMT- Congratulations 180 Gram 2LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003eUnlike MGMT's platinum-selling debut Oracular Spectacular, which had three chart-topping hits (\"Time to Pretend,\" \"Electric Feel,\" and \"Kids\"), the duo's follow-up is designed to be a congruent album of psychedelic, non-single-oriented material.\u003c\/div\u003e\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40013792608317,"sku":"888430453319","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/products\/EVP888430453319-0_1.jpg?v=1655766162"},{"product_id":"paul-mccartney-iii-imagined-gold-2-lp-indie-exclusive","title":"Paul McCartney- III Imagined Gold 2 LP Indie Exclusive","description":"\u003cp\u003eIndie Exclusive Gold 2LP\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHailed upon its release last year as \"vital and comfortable taking new chances” (Rolling Stone) and “cheery, resilient, forever looking forward” (The New Yorker), Paul McCartney’s \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMcCartney III\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, which topped album charts around the world, is now literally moving into the future in the form of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMcCartney III Imagined\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Personally curated by Paul, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMcCartney III Imagined\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e features an A-List assortment of friends, fans and brand new acquaintances, each covering and\/or reimagining their favorite \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMcCartney III\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMcCartney III\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e while standing on its own as a brilliant and adventurous milestone in the McCartney discography\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40718598537277,"sku":"602435933245","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/image005.jpg?v=1692143124"},{"product_id":"paul-mccartney-iii-imagined","title":"Paul McCartney- III Imagined","description":"\u003cp\u003eBlack 2LP\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHailed upon its release last year as \"vital and comfortable taking new chances” (Rolling Stone) and “cheery, resilient, forever looking forward” (The New Yorker), Paul McCartney’s McCartney III, which topped album charts around the world, is now literally moving into the future in the form of McCartney III Imagined. Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and\/or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as a brilliant and adventurous milestone in the McCartney discography. CD Packaging: 4-panel, 2-pocket softpak CD w\/ 6-panel poster. Vinyl Packaging: Capacity spine jacket 2 LP w\/ 11.5’x11.5’ insert, plus sticker. Track Listing Find My Way (feat. Beck) The Kiss Of Venus (Dominic Fike) Pretty Boys (feat. Khruangbin) Women And Wives (St. Vincent Remix) Deep Down (Blood Orange Remix) Seize The Day (feat. Phoebe Bridgers) Slidin’ (EOB Remix) Long Tailed Winter Bird (Damon Albarn Remix) Lavatory Lil (Josh Homme) When Winter Comes (Anderson .Paak Remix) Deep Deep Feeling (3D RDN Remix) Long Tailed Winter Bird (Idris Elba Remix)*\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40718599880765,"sku":"602435136509","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/41rIr--f3OL._SL1000_1.jpg?v=1692143278"},{"product_id":"bon-iver-22-a-million","title":"Bon Iver- 22, A Million","description":"\u003cdiv class=\"value\" data-mce-fragment=\"1\"\u003eAfter a few years spent working on things other than Bon Iver, time spent sorting out heavy personal issues, and a radical rethink of the style that launched Justin Vernon's project to the upper reaches of indie folk popularity, the always searching musician returned in 2016 with an album that redefined Bon Iver in dramatic fashion. 22, A Million is a complicated and intricate record that features chopped-up lyrics, altered vocals, sped-up samples, alternately shimmering and clipped keyboards, treated saxophones, and the occasional gently strummed guitar. Through most of the challenging album, Vernon and his collaborators create miniature structures of sound and space, letting his vocals drift and cascade through sparse and fractured constructs like a lost soul wandering through empty futuristic streets. It's a long way from intimate folk songs recorded in a remote Wisconsin cabin. In the music, one can hear the influence of Vernon's occasional collaborator Kanye West, especially on the mutated R\u0026amp;B tracks like \"10 d E A T h b R E a s T ? ?\" and \"33 'God',\" where his vocals take on a rap-like cadence, but also in the sense of grandeur and bombast intermittently found there and elsewhere. In direct contrast are the songs that sound very inward and emotionally bleak and twisted, possibly reflecting some of Vernon's struggles along the way. The desperate \"715 - CR??KS,\" which features nothing but a choir of Auto-Tuned Vernons singing aching lyrics that sound like they're being ripped from the deepest, darkest corner of his tortured soul, is maybe the darkest track. In yet more contrast, a few songs on the album retain much of the hushed acoustic feel of his earlier albums, but with weird electronics and tricks around the edges. The beautiful \"29 #Strafford APTS\" is a folk song at its core, but he adds altered vocals, queasily pitched saxophones, and distorted electronic tones to provide some drama to the song. He does similar things to the album-ending piano ballad \"00000 Million\" and the tense, almost ambient \"21 M??N WATER,\" turning them from typically sad Bon Iver songs into something weird and oddly more affecting. The only track on the album that falls short of the standard set elsewhere is \"8 (circle),\" which makes the mistake of being a little too earnestly straightforward and too much like a Bruce Hornsby song. This was probably the one that needed the most manipulation, and it's the one that gets the least. One little misstep can't keep 22, A Million from being a return to form, even as it turns the established form on its head and gives it a spin. It's clear that the upheavals in Vernon's life and music are a matched set; he turns his pain into art as he does a deep dive into exploration of technique and sound. It's an impressive feat of reinvention that manages to keep Vernon's emotional core fully intact no matter how far the music strays from established Bon Iver territory. ~ Tim Sendra\u003c\/div\u003e\n\u003cbr\u003e\u003cstrong class=\"type\" data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40718639693885,"sku":"656605230016","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/EVP656605230016-0_1.jpg?v=1692151897"},{"product_id":"sylvan-esso-with-love-limited-edition","title":"Sylvan Esso -WIth Love ( Limited Edition)","description":"\u003cp\u003eLimited Edition pressing of Sylvan Esso's With Love\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40720058384445,"sku":"888072228559","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/61mrxSnoYkL._SL1000.jpg?v=1692299311"},{"product_id":"glass-animals-dreamland-glow-in-the-dark-lp","title":"Glass Animals - Dreamland [Glow In The Dark LP]","description":"\u003cdiv data-mce-fragment=\"1\" class=\"value\" itemprop=\"description\"\u003eRecord-breaking BRIT and GRAMMY Award nominated, Billboard Award-winning global sensations, Glass Animals, announce the special anniversary\u003cbr\u003e\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003ecollection of their critically acclaimed third album, Dreamland. 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Distinct from his previous works with overarching narratives, \"Javelin\" offers a direct reflection on relationships, impermanence, and human emotions. Its rich musicality transitions from simple instrumentals to grand symphonies, capturing both personal and universal perspectives. Collaborations with other artists amplify the album's emotional depth. Accompanying essays and artwork further enrich its narrative, making \"Javelin\" a multidimensional experience.\u003c\/span\u003e\u003c\/p\u003e","brand":"SSC","offers":[{"title":"Default Title","offer_id":40800466665533,"sku":"729920165919","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/LP-4006_1.webp?v=1697426018"},{"product_id":"toro-y-moi-sandhills-extended-play","title":"Toro y Moi - Sandhills (Extended Play)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eToro y Moi's 'Sandhills' is both a tender love letter to Chaz Bear's hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home. Recalling Sufjan's 'Seven Swans' or Karen O's soundtrack work for 'Where The Wild Things Are,' these loping folk-pop songs are themselves a sort of Saturn return, reminiscent of Bear's first handmade CD-Rs as Toro y Moi. Bear gave them out to friends in the earliest days of the moniker, the releases stuffed in the Case Logic visor of their cars, and each listen brings a little more of that detail to life: the mall after which 'Sandhills' is named; the teenaged friends spending aimless hours there, full of big ennui and bigger dreams; the late-capitalist decline and empty big box stores of Sandhills today. Chaz Bear, Toro y Moi, is now a globally beloved indie- pop icon. But 'Sandhills', with it's banjo and lap steel flourishes and it's wide-eyes wonder, concedes that you never quite totally rid yourself of those adolescent blues. You might just, if you're lucky, develop better mechanisms (or delusions!) with which to handle them. 'Sidelines' tells the tale of aesthete putting himself through the high school football gauntlet. And the title track has subtle allusions to growing up a Black art kid in the American South: \"saved again by calamine\/ another bite\/ this happens time to time\/ i'm spotted white\/ maybe it's just where i'm from\/ i always had my guard up\/ but hypocrites keep strollin in\/ and rubbin on my shoulder\". Even the closing novelty track \"Said Goodbye To Rock n Roll\" has all the makings of a Chris Stapleton hit if you just to squint a little. Clear eyes, full hearts, sweet jams, can't lose. 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This new collection was recorded at Nashville’s famed Blackbird Studios, and produced by Grammy Award-winning Markus Dravs \u003ci data-mce-fragment=\"1\"\u003e(Arcade Fire, Coldplay,\u003c\/i\u003e \u003ci data-mce-fragment=\"1\"\u003eFlorence + the Machine)\u003c\/i\u003e. \u003ci data-mce-fragment=\"1\"\u003eWhen You See Yourself \u003c\/i\u003epropels KINGS OF LEON into 2021 with a modern evolution of their sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eWhen You See Yourself\u003c\/i\u003e was announced with the release of the album’s first single and video, “The Bandit,” as well as a second track, “100,000 People.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKINGS OF LEON are brothers Caleb (guitar\/vocals), Nathan (drums) and Jared (bass) Followill, along with their cousin Matthew Followill (guitar). Since their debut in 2003, KINGS OF LEON have released seven albums: \u003ci data-mce-fragment=\"1\"\u003eYouth \u0026amp; Young Manhood\u003c\/i\u003e (2003), \u003ci data-mce-fragment=\"1\"\u003eAha Shake Heartbreak\u003c\/i\u003e (2004), \u003ci data-mce-fragment=\"1\"\u003eBecause of the Times \u003c\/i\u003e(2007), \u003ci data-mce-fragment=\"1\"\u003eOnly by the Night \u003c\/i\u003e(2008), \u003ci data-mce-fragment=\"1\"\u003eCome Around Sundown \u003c\/i\u003e(2010), \u003ci data-mce-fragment=\"1\"\u003eMechanical Bull (\u003c\/i\u003e2013), \u003ci data-mce-fragment=\"1\"\u003eWALLS\u003c\/i\u003e (2016), their first-ever # 1 U.S. album debut. 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Giddy up and grab your copy now!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Post Malone","offers":[{"title":"Default Title","offer_id":41511530823741,"sku":"602465835571","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/files\/31pBGSmh4yL._SL500.jpg?v=1723831073"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0212\/9294\/1412\/collections\/vinyl-records.png?v=1782691011","url":"https:\/\/selwynsound.com\/collections\/in-stock.oembed?page=96","provider":"THE SELWYN SOUND CO.","version":"1.0","type":"link"}